Kay Ryan
Winner of 2011 Pulitzer Prize for Poetry Hardcover: 288 pages
Publisher: Grove Press; 1 edition (March 23, 2010)
Language: English
ISBN-10: 080211914X
ASIN: B004H8GLZY
Editorial Reviews
From Publishers Weekly
Ryan, the current U.S. poet laureate, may well be the oddest and wisest poet to hold that prestigious post. Her tiny, skinny poems pack a punch unlike anything else in contemporary poetry, though not unlike haiku, if haiku could be cut with a dash of Groucho Marx. This, her first retrospective volume, which also contains a book's worth of new poems, is a much-needed introduction to the work of one of our best and most accessible poets. She asks the necessary questions hiding just beneath the obvious ones: Why isn't it all/ more marked,/ why isn't every wall/ graffitied, every park tree/ stripped/... / Not why people are; why not more violent? Odd rhymes draw crystal clear relations between disparate thoughts we never realized had always gone together: As/ though our garden/ could be one bean/ and we'd rejoice if/ it flourishes, as/ though one bean/ could nourish us. Pithy poems manage to encapsulate far more than their few words should be able to hold, as in Bitter Pill, a new poem: A bitter pill/ doesn't need/ to be swallowed/ to work. Just/ reading your name/ on the bottle/ does the trick. Sassy, smart, and deep as they are hilarious, Ryan's poems are among the best.
From Booklist
This ample but representative collection should attract new readers curious about the work of America’s current poet laureate and should also satisfy those familiar with Ryan’s conversational but tightly wrought poems. Her strength lies in creating short-lined poems that slide past the reader like notes from a journal but that, unlike many such efforts, are not merely self-indulgent anecdotes or predictable bromides. Rather, readers find surprise arising from each incident or pondering, creating an effect like that of the classical Zen haiku that starts out commonplace and rises to philosophical heights. Ryan’s observation of a spider weaving begins with a comment on how “from other / angles the / fibers look / fragile,” then embeds itself in the spider’s own viewpoint, from which those fibers are “coarse ropes” requiring “heavy work” to get in place in the web. The point of this close reading of insect life reveals itself in the last lines: “It / isn’t ever / delicate / to live.” Ryan’s work is best read slowly and observing intervals between poems, for the similarity of form among them risks dulling the attention when they are read one quickly after another. Also, her work, consistently excellent as it is, deserves careful reading
Top Reviews
“Everything [Ryan’s] eye falls upon takes on a brisk, beautifully complete clarity. Her tidy lines disguise an enormous intelligence and tonal warmth: a ferocious capacity for finding the essence of things. The Best of It reveals that right before our eyes Ryan has become a classic American poet.” Los Angeles Times
“Ryan is one of the few contemporary poets to have imitators because she is one of the few truly compelling stylists now at work. Her voice is authoritative, confident, unfussy, exacting…she is astutely reserved, watchful, and understands that no one is special in his or her grief…So many “new and selected” volumes come out each year, but The Best of It is rare in being truly the best of the poet’s work so far. Kay Ryan is so disarming, so fresh and original, that she has earned her recent reputation as one of the very best poets among us.” The Hudson Review
“Ryan’s poems are consistent delights. They fizz with euphonies, they crackle with rhyme and off-rhyme…they are marvels of compact, slightly bitter wit…Ryan’s poems are what Robert Frost said all poems must be, momentary stays against confusion.”— San Francisco Chronicle
"The Best of It is a generous and nearly career-spanning collection of her verse, a greatest-hits album of a sort…you can’t help consuming [her] poems quickly, the way you are supposed to consume freshly made cocktails: while they are still smiling at you. But you immediately double back—what was that?—and their moral and intellectual bite blindsides you.” The New York Times
“Melancholy lucidity is Ryan’s greatest gift, and it can be heard in all her most successful poems. But her most startling discovery is that melancholy, with its tendency to brood and spread, is best contained in a form that is tight, witty, almost sprightly sounding. Her poems are often built on the logic of the pun, taking an ordinary word or dead cliché as a title and then jolting it to unexpected life.” The New Yorker
“Ryan’s oblique humor runs from grim to whimsical, from delighted to sardonic . . . Despite her desert beginnings, she cannot disavow her own talent and taste, her intelligence and achievement . . . From a life that has not been easy, she has mined nuggets that add to American poetic wealth.” The New York Review of Books
“When she’s at the top of her game, [Ryan] has the uncanny ability to construct a tiny word-mechanism that produces the experience of genuine wonder…In the utter complexity of her vision and lyricism, I’m reminded of those mechanical devices of the ancient world meant to show us our place among the stars and help us navigate the uncharted darkness beyond. And in the very best examples, Ryan’s poems do precisely that.”The Washington Post
“Kay Ryan is a distinctive and original voice within the rich variety of contemporary American poetry. She writes easily understandable short poems on improbable subjects. Within her compact compositions there are many surprises in rhyme and rhythm and in sly wit pointing to subtle wisdom.”— Librarian of Congress
“[Ryan’s] poems . . . [are] surprising and fresh, keeping the reader slightly off-kilter...As the poems swerve between images and ideas, meaning and sound, white space and the black ink of a line—between surface action and metaphorical depths—the attentive reader will see a glimmer of secret life.”Newsweek
