Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

2 Dec 2011

The Twilight Saga: Breaking Dawn - Part 1 (2011) / Review

Release Date: 18 November 2011 (India) Runtime: 117 min
Genres: Adventure | Drama | Fantasy | Romance
Taglines: Forever is only the beginning

The Quileute and the Volturi close in on expecting parents Edward and Bella, whose unborn child poses different threats to the wolf pack and vampire coven.

Director: Bill Condon
Writers: Melissa Rosenberg (screenplay), Stephenie Meyer (novel)
Stars: Kristen Stewart, Robert Pattinson and Taylor Lautner

Stewart is finally acting, which is one of the biggest reasons why this movie is so much better than the others. She portrays Bella in a way that is so close to the book, and it's wonderful to see her and Pattinson playing lovers that are so, so, so in love. The fact that Bill Condon (director) gave the happy couple so much time to be just that, happy, makes you really believe in their love and it makes you understand why they can't live without each other.
This movie takes you from a beautiful wedding, complete with the most hilarious toasts (Jessica and Charlie) wonderful music, stunning dresses and declarations of love that will touch everyone's hearts, to South America for a sexy, funny and exciting honeymoon where we see heartfelt smiles, kissing, cuddling and teasing along with the epic headboard breaking scene. It then settles back in Forks, where we get to witness the most terrifying pregnancy imaginable.
 The special effects team deserve an Oscar for the work they've done on making Stewart look like she's slowly fading away. The moments leading up to the birth scene are actually scarier than the scene itself. It really is a horror film towards the end, and some scenes should maybe have been rated R. It ends in the perfect place, such a natural and obvious cut. I am so thankful that Breaking Dawn has been split into two parts, because I can't imagine even once scene in this part that could have been skipped.
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Cast
Taylor Lautner , Gil Birmingham, Billy Burke, Sarah Clarke, Ty Olsson, Kristen Stewart, Ashley Greene, Jackson Rathbone, Peter Facinelli , Elizabeth Reaser, Kellan Lutz , Nikki Reed, Robert Pattinson, Christian Sloan, James Pizzinato

Produced by Wyck Godfrey, Stephenie Meyer, Mark Morgan & Karen Rosenfelt
Original Music by Carter Burwell       
Cinematography by Guillermo Navarro       
Film Editing by Virginia Katz       
Casting by Debra Zane       
Production Design by Richard Sherman         
Costume Design by Michael Wilkinson    
Filming Locations: Baton Rouge, Louisiana, USA
Budget: $127,000,000 (estimated)
Production Co: Summit Entertainment, Sunswept Entertainment, TSBD Canada Productions
Sound Mix: Dolby Digital  | DTS
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MOVIE TRAILER
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Being George Washington: The Indispensable Man, as You've Never Seen Him by Glenn Beck/Review

by Glenn Beck

This is the amazing true story of a real-life superhero who wore no cape and possessed no special powers—yet changed the world forever. It’s a story about a man whose life reads as if it were torn from the pages of an action novel: Bullet holes through his clothing. Horses shot out from under him. Unimaginable hardship. Disease. Heroism. Spies and double-agents. And, of course, the unmistakable hand of Divine Providence that guided it all.

Being George Washington is a whole new way to look at history. You won’t simply read about the awful winter spent at Valley Forge—you’ll live it right alongside Washington. You’ll be on the boat with him crossing the Delaware, in the trenches with him at Yorktown, and standing next to him at the Constitutional Convention as a new republic is finally born.

Through these stories you’ll not only learn our real history (and how it applies to today), you’ll also see how the media and others have distorted our view of it. It’s ironic that the best-known fact about George Washington—that he chopped down a cherry tree—is a complete lie. It’s even more ironic when you consider that a lie was thought necessary to prove he could not tell one.
For all of his heroism and triumphs, Washington’s single greatest accomplishment was the man he created in the process: courageous and principled, fair and just, respectful to all. But he was also something else: flawed.
It’s those flaws that should give us hope for today. After all, if Washington had been perfect, then there would be no way to build another one. That’s why this book is not just about being George Washington in 1776, it’s about the struggle to be him every single day of our lives. Understanding the way he turned himself from an uneducated farmer into the Indispensable (yet imperfect) Man, is the only way to build a new generation of George Washingtons that can take on the extraordinary challenges that America is once again facing.

About the Author

Glenn Beck, the nationally syndicated radio show host, is the author of Broke, The 7, and seven #1 New York Times bestsellers: The Original Argument, An Inconvenient Book, The Christmas Sweater, Glenn Beck’s Common Sense, Arguing with Idiots, The Christmas Sweater: A Picture Book, and The Overton Window. Visit GlennBeck.com.
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Details
    Hardcover: 304 pages
    Publisher: Threshold Editions (November 22, 2011)
    Language: English
    ISBN-10: 1451659261
    Biographies & Memoirs
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2011 Cadillac Escalade Hybrid /Review

2011 Cadillac Escalade Hybrid
The 2011 Cadillac Escalade Hybrid will settle the dilemma between owning a large, capable SUV and saving money on gas and protecting the environment.  That’s because an efficient 332-horsepower, 6.0-liter V-8 is paired to GM’s two-mode hybrid system that features dual electric motors, a continuously variable transmission, and a nickel-metal hydride battery pack.  Like most hybrids, the 2011 Escalade Hybrid’s system recharges the battery pack through regenerative braking.  Fuel estimates check in at 20 mpg in the city and 23 mpg on the highway.  For those concerned about the environmental impact of the Escalade Hybrid, just know that it emits between three and four fewer metric tons of carbon dioxide than the gas-only Escalades.  Competition includes the GMC Yukon Hybrid and the Chevrolet Tahoe Hybrid.

The Escalade Hybrid is available in four-wheel drive for enhanced traction and handling, and can tow up to 5,800 pounds (2WD model).  The Escalade Hybrid is bathed in hybrid badges, which instantly sets its exterior apart from other Escalades.  A power liftgate, 22-inch chrome wheels, power sunroof, and xenon headlights are standard, while LED headlights and power-retractable running boards are optional.

The 2011 Cadillac Escalade Hybrid can seat up to eight occupants in three rows.  Cargo volume is also cavernous with 108.9 cubic feet of space to fit all of your luggage or equipment.  Leather interior, power, heated, and cooled front seats, heated second-row seats, tri-zone climate control, heated and cooled cup holders, a navigation system, Bluetooth® connectivity and a USB/iPod port are just some of the impressive standard features.  Monitor the Escalade’s hybrid activity and efficiency through informative graphics displayed on the navigation screen and instrument cluster.
As for safety, the 2011 Cadillac Escalade Hybrid features three-row side curtain airbags, driver and passenger airbags, antilock brakes, an electronic stability system with traction control, rearview camera, and a blind spot warning system as standard equipment.  A suite of OnStar safety technologies and communications also comes standard and notify the authorities in the event of an accident.  Standard maintenance such as scheduled oil changes, replacement of engine and cabin air filters, tire rotations and more are covered for four years or 50,000 miles.
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PricingMSRP: $74,135 to $88,435
Invoice Price: $69,316 to $82,687
EPA Fuel Economy (MPG)
20 City /23 Highway
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27 Nov 2011

Bowers & Wilkins Nautilus Speakers/Review

Bowers & Wilkins Nautilus Speakers
Available at Hammacher Schlemmer for $60,000.

The Bowers & Wilkins Nautilus Speakers is a triumph of engineering and design – the result of five years extensive reseach and development tasked with designing the perfect loudspeaker.

Bowers & Wilkins Nautilus Speakers are the four-way speakers that provide the clearest three-dimensional soundstage performance available.
Precise to the finest level, and great in external aesthetics, there are 1-inch and 2-inch tweeters along with 4-inch mid-range driver that play a crucial role in giving out a rather crisp, clear, and more vibrant sound output. On further probing, it is said the vibration patterns are monitored to the level of 1/3000th of a millimeter by using Laser-Doppler velocimetry. The result of that is of course the precision and crispness of the sound. For the times when bass plays an important role, there are 12-inch bass drivers which are housed in a curved spiral tube, thus enabling waves to travel without reflection.

Also, B&W Nautilus speakers use an active crossover design that allows each driver to operate on its own frequency unlike the more-than-common passive crossover designs. This lends a crisper and clearer final tone output, and this means that you will need four separate amplifiers for each speaker to power them.
The speakers’ bodies are handcrafted from fiberglass-reinforced ABS and are finished with paints and lacquer systems used for luxury cars.

Drive Units (High Frequency): 2 domed units of anodised aluminium of similar construction, 50mm and 25mm in diameter, handle the 880Hz – 3.5kHz and 3.5kHz – 25kHz ranges respectively. All drive units are completely mounted on silicone rubber O-rings to decouple from the cabinet

Drive Units (Mid-Range/High Frequency):
From 220Hz – 800Hz, a 100mm flat-fronted unit is employed to prevent the gentle cavity resonance found in conventional cone units at around 2kHz interfering with the output from the upper/midrange unit. A rare earth magnet assembly with hollow pole is used to minimise the obstruction to the rear radiation from the diaphragm

Drive Units (Bass): A 9.5kg (21 lbs) magnet with a 100mm (4”) voice coil acts as the massive motor of the 300mm (12”) bass unit (10Hz – 220Hz). This, when used in the exponential line enclosure, results in a high-pass behaviour so over-damped that the traditional second-order characteristic is replaced by two distinct first-order slopes and no stored energy. A 250 micron one-piece aluminium cone ensures coherent motion to beyond 1.5kHz

    Frequency Response: 25Hz – 20kHz ± 0.5dB on reference axis
    Frequency Range: -6dB at 10Hz and 25kHz
    Power Handling: 100W – 500W into 8 ohms, one amplifier is required for each drive unit
    Electronic crossover supplied with speaker
    Dimensions (H x W x D): 1210mm x 430mm x 1105mm
    Net Weight: 110kg (Loudspeaker – 60kg, Base – 50kg)
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2012 Audi R8 / Review

2012 Audi R8
Audi first unveiled the R8 -- its first ever mid-engine sports cars -- for the 2008 model year, and the model has continued largely unchanged in base trim since.
The base 4.2 R8 has a 420 horsepower high-revving V8 engine and all-wheel-drive. It uses the mid-engine Lamborghini Gallardo platform and starts at $114,200, positioning it squarely against the BMW M6, Porsche 911, and Aston Martin Vantage.
The car features a choice of LED or Xenon headlamps surrounded by LED running lights and indicators. LEDs are also used in the engine bay to make the impressive V8 visible even at night.
Both a standard manual and an automated manual transmission are offered. Claimed zero to 62 mph time is 4.6 seconds, though this number is likely conservative.


Interior
The interior has a driver-oriented cockpit architecture, integrating the driver between the dashboard and the high center console. The instrument panel above the console is angled slightly towards the driver. The flat-bottomed steering wheel is a typical feature of the sportiest Audi models, and also enables comfortable sports car entry and exit.
The sports seats are trimmed as standard in a Leather/Alcantara combination, or optionally in full leather. Alternatively, the R8 can also be fitted with bucket seats, specially developed by quattro GmbH. There is plenty of room for the two occupants, with comfort levels well beyond the norm of high-performance sports cars. There is space behind the seats to stow large bags, or even two golf bags. The luggage compartment at the front has a capacity of 100 litres.
With numerous trim variants and applications in Piano finish or Carbon sigma, there are few limits to the range of customization options for the interior.

The drivetrain
At 7,800 rpm the 4.2-liter engine delivers 309 kW (420 bhp) of power output. Peak torque is 430 Newton-meters from 4.500 to 6,000 rpm. And no less than 90 per cent of this maximum torque is maintained consistently throughout a wide engine speed range from 3,500 all the way to 7,600 rpm. As a result of these qualities, the eight-cylinder power unit provides ample thrust in most driving situation.
The engine is a high-revving unit. The maximum engine speed is 8,250 rpm. Two transmissions are available: a manual 6-speed gearbox or optionally the Audi R tronic sequential-shift gearbox, with a joystick gear-shift on the center console and, most especially, the paddles mounted on the steering wheel. 'Shift by wire' technology provides for very fast gear-shifting and an outstanding power-to-weight ratio, allied to compact gearbox dimensions. The Sport mode, with its fast shifting, guarantees the absolute maximum in terms of driving fun. An automatic mode can also be selected.
The car is fitted with permanent four-wheel drive, which distributes the power variably to the front and rear axles by way of a viscous clutch. On the Audi R8 the legendary quattro system is adapted to the axle load distribution typical of mid-engined cars.

The chassis
The chassis features forged aluminum double wishbones at the front and rear. At the front they are triangulated, while at the rear the top one is triangulated and the bottom one is a triangulated wishbone with a track rod. This provides for optimum wheel control, and is a geometry which has proved itself to be the ideal solution in delivering agility, maximum steering precision and precisely defined self-steering characteristics.
Direct, hydraulic rack-and-pinion steering provides optimum feedback to assist the driver.
The spring and damper set-up is stiff in order to deliver maximum driving dynamics, while still providing a quite astonishing level of ride comfort. This is particularly true when the 'Audi magnetic ride' adaptive damper system is chosen as an alternative to the standard gas-filled shock absorbers.
Instead of the conventional damper fluid, a magnetorheological fluid is used -- in other words, a fluid whose viscosity can be influenced by an electromagnetic field. This effect enables the damping characteristic to be influenced electronically at will and instantaneously, by applying a voltage to the electromagnets.
Audi magnetic ride uses this property to deliver the correct damping forces in every driving situation. A computer determines the prevailing driving situation in a matter of milliseconds. Drivers can choose from two driving programs depending on whether they want to drive in a highly sporty style -- with the magnetorheological fluid adjusted to a low viscosity -- or with the emphasis more on ride comfort.
The Audi R8 is fitted with 6-arm 18-inch wheels as standard, and can optionally be ordered with 19-inch wheels. The 235/40 size tires at the front and up to 285/35 at the rear provide the necessary road-holding. The mid-engined sports car's long wheelbase and extremely low center of gravity ensure that it always retains maximum stability.
Equipment and trim
Xenon plus lights, LED rear lights and daytime running lights, 18-inch aluminium wheels, an audio system with 7-inch monitor, an anti-theft alarm and Leather/Alcantara interior trim are just some of the items on the extensive list of standard features.
The range of optional extras includes a Bang & Olufsen sound system, featuring an output of 465 watts and 12 specially designed speakers. A microphone-based vehicle noise compensation system adjusts audio levels to changing road conditions and speeds.
The acoustic parking system and a rear-view camera help the driver to maneuver into even the tightest of spaces. The radio/navigation system plus, featuring a large-format color monitor and MMI keypad, combines extensive functionality with extreme user-friendliness.
A total of eight exterior colors are available, from Ibis White to Phantom Black, pearl effect.
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Specs:
Curb Weight (lbs)     3605
City (MPG)     11
Hwy (MPG)     20
Horsepower     430@7900
Torque (lb-ft)     316@4500
Wheelbase     104.3
Length (in.)     174.5
Width (in.)     79.9
Height (in.)     49.3
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23 Nov 2011

Plantronics Voyager Pro UC Headset/Review

Plantronics Voyager Pro UC Headset
A decade after its first Bluetooth headset in 2001, Plantronics still stands out as one of the leaders in an increasingly crowded field. The Voyager line of headsets is especially popular with consumers who prize audio quality and comfort above all else. We were glad to see Plantronics update its lineup with the Voyager Pro Plus last year, which added A2DP streaming, voice alerts, and even better noise reduction.

But the innovation didn't stop there. Plantronics has introduced yet another improvement on its Voyager Pro line with the Plantronics Voyager Pro UC. Undeniably the company's most advanced headset yet, the Voyager Pro UC uses new sensor technology that can detect whether it is on or off the ear. This increases the headset's functionality tenfold--the ability to answer a call just by putting on the headset, for example, is fantastic. The Voyager Pro UC also works with a variety of softphone and VoIP PC applications without ever losing mobile connectivity. Even though the design of the headset is the same and the audio quality is unchanged, this new technology is highly impressive.

Design
looks identical to both the Voyager Pro Plus and the Voyager Pro. It has that retro telemarketer look, with a large behind-the-ear battery pack and a long swiveling boom microphone. We're admittedly a little tired of the design by now, but we can't blame the company for sticking to a design that many people have come to love. Despite its looks, the Voyager Pro UC is definitely comfortable and easy to wear. For more details on button placement and overall look and feel, we'll direct you to our review of the Plantronics Voyager Pro.
Unlike the Jawbone Era, which has a built-in accelerometer to help answer and end calls, the Plantronics Voyager Pro UC uses very sensitive capacitive touch technology instead. According to Plantronics, this works by "sensing capacitance changes due to conductors brought close to one or more sensor electrodes." This Smart Sensor technology enables the headset to differentiate one action from another.

The benefits of the sensor are quite impressive. For example, if a call comes in and you're not wearing your headset, the call automatically routes to the phone. You can then answer the call as you would normally or you can slip on your headset and the call will be answered automatically. If you put on your headset in the middle of the call, the call will be transferred to the headset automatically as well. This prevents you from having to fumble around for the headset whenever you get an incoming call.

This works great for listening to music as well. Taking the headset off automatically pauses the song, and when you put the headset back on, the song resumes where it left off. You also no longer have to worry about accidentally placing a call while the headset is bouncing around in your pocket; the Voyager Pro UC has Auto Call Button Lock, which locks the button when the headset is not worn.
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The good: The Plantronics Voyager Pro UC has Smart Sensor technology that lets you route calls automatically to the headset or phone, play or pause music automatically, and more. It also features A2DP streaming, multipoint connectivity, and great audio quality to boot.
The bad: The Plantronics Voyager Pro UC is not that much different from its predecessors, and it is currently not compatible with Plantronics' own Vocalyst automated phone service. We also think it's too expensive.
The bottom line: The Plantronics Voyager Pro UC combines a perennial favorite design with cutting-edge technology that results in a modern yet reliable headset.
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(CNET)
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2011 Ferrari 599 GTO /Review

Ferrari’s 599 GTO
Ferrari has finally taken the wraps of its high-performance 599 GTO. Billed as Ferrari’s fastest ever road car topping even the mighty Ferrari Enzo — the production version of the 599 GTO is largely based on the 599XX concept.
Using the already potent 599 GTB HGTE as a jumping point, the 599 GTO kicks it up a notch with a number of performance improvements. The 599 GTO cranks out 670 horsepower, up from the standard car’s 612 horsepower. The 599 GTO’s V12 engine is capable of revving to 9,000 rpm. Power is routed through an F1-style six-speed gearbox.
Thanks to that added power, the 599 GTO makes the sprint from 0-62 in just 3.35 seconds, continuing to a top speed of 208mph.

The 599's chassis has been thoroughly reworked for the GTO treatment, and Ferrari says the improvements completely eliminated any understeer.

Of course, with it being well known that weight is the number one enemy of performance, Ferrari also took several actions to shave off unnecessary weight. The areas involved include the bodywork and greenhouse (with thinner gauge aluminum and thinner glass), the brakes, transmission and exhaust system.
The result is a dry weight of 1,495 kg and a weight-to-power ratio of just 2.23 kg/hp, a very significant figure that underlines the GTO's performance potential.

The 599 GTO features Ferrari’s Magnetorheological Supension Control system, as well as carbon ceramic disc brakes measuring 15.7x1.5 inches in the front, and 14.2x1.5 inches in the rear.

The 599 GTO gets its power to the ground thanks to high-performance Michelin tires, size 285/30/20 up front and 315/35/20 in the rear.
The car-driver interface was designed to maximize car and driver performance with a layout of the main commands that ensures absolute efficiency and minimum distraction. The Racing manettino also puts the emphasis firmly on sporty, track-specific driving settings by offering the driver full choice with regard to the electronic control parameters.

The ICE position on the 599 GTB Fiorano has been replaced by CT-Off (traction control off). The GTO is also fitted with bespoke, longer carbon-fibre F1 paddles for easier use in high-speed driving. In addition the GTO also features the Virtual Race Engineer, a system that monitors the status of the car and gives the driver immediate visibility of vehicle performance.

Ferrari will produce just 599 examples of the 599 GTO, with a price tag expected to fit that exclusivity with reports suggesting the 599 GTO will retail from $426,000.
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Basic Specs
Base Price     TBA
Drivetrain     Rear Wheel Drive
Curb Weight (lbs)     3538
City (MPG)     TBD
Hwy (MPG)     TBD
Horsepower     670@8250
Torque (lb-ft)     457@6500
Wheelbase     108.3
Length (in.)     185.4
Width (in.)     77.2
Height (in.)     52.2

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A Very Harold & Kumar 3D Christmas (2011)/Review



Release Date: 4 November 2011 (USA) Runtime: 90 min
Genre: Comedy
Six years after their Guantanamo Bay adventure, stoner buds Harold Lee and Kumar Patel cause a holiday fracas by inadvertently burning down Harold's father-in-law's prize Christmas tree.

Director: Todd Strauss-Schulson
Writers: Jon Hurwitz, Hayden Schlossberg

Cast
Patton Oswalt, Isabella Gielniak, Kal Penn , Neil Patrick Harris . Austin Bickel , Inga R. Wilson, John Cho, Bobby Lee Thomas Lennon , Amir Blumenfeld, Paula Garcés, Danny Trejo, Marvin Cruz, Allyson Lengers Shirley Benyas, Esteban Andres Cruz
Storyline
Six years have elapsed since Guantanemo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn. Written by Mandate Pictures
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Filming Locations: Detroit, Michigan, USA
Production Co: Kingsgate Films, Mandate Pictures, New Line Cinema
Sound Mix: Dolby Digital  | DTS (as Datasat Digital Sound) | SDDS
Original Music by William Ross       
Cinematography by Michael Barrett       
Film Editing by Eric Kissack            
Production Design by Rusty Smith       
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Review
A Very Harold & Kumar 3D Christmas is not going to surprise anyone. It follows the same successful formula and chemistry between John Cho and Kal Penn as the first two. The film also is rude, inappropriate and has questionable taste just like the first two. So while the basic concept is the same, it has been plugged into a Christmas setting making fun of the holiday and managing to shoot Santa Claus in the face in the process. Damn it's funny! I'm not big on buddy comedies but behind closed doors I secretly love Harold & Kumar. White Castle was funny, Guantanamo Bay was even funnier taking on the issue of race and national security, and 3D Christmas is poking fun at religion and holidays. Because many may be afraid of being ridiculed for touching sacred subjects and therefore don't, Harold & Kumar movies repeatedly take on the challenge and find something original to laugh about. Sure making a baby high, John having his penis stuck to a metal frozen pole, and poking fun at the Catholic sex scandals may be inappropriate to some, but everything's fair in comedy and what the filmmakers have done will make you laugh over and over. So while much of the film may be ridiculously over the top, it all works. And while we don't see enough of Bobby Lee in the film who seems to be able to make you laugh without doing much, we do get Neil Patrick Harris playing himself as a closeted heterosexual. That scene is not just really funny throughout, but it steals the show. His scene is nothing short of a "must see" moment that is destined to be classic.
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WATCH TRAILER
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Then Again by Diane Keaton (Author)/Review

Diane Keaton (Author)
 Mom loved adages, quotes, slogans. There were always little reminders pasted on the kitchen wall. For example, the word THINK. I found THINK thumbtacked on a bulletin board in her darkroom. I saw it Scotch-taped on a pencil box she’d collaged. I even found a pamphlet titled THINK on her bedside table. Mom liked to THINK. So begins Diane Keaton’s unforgettable memoir about her mother and herself. In it you will meet the woman known to tens of millions as Annie Hall, but you will also meet, and fall in love with, her mother, the loving, complicated, always-thinking Dorothy Hall. To write about herself, Diane realized she had to write about her mother, too, and how their bond came to define both their lives. In a remarkable act of creation, Diane not only reveals herself to us, she also lets us meet in intimate detail her mother. Over the course of her life, Dorothy kept eighty-five journals—literally thousands of pages—in which she wrote about her marriage, her children, and, most probingly, herself. Dorothy also recorded memorable stories about Diane’s grandparents. Diane has sorted through these pages to paint an unflinching portrait of her mother—a woman restless with intellectual and creative energy, struggling to find an outlet for her talents—as well as her entire family, recounting a story that spans four generations and nearly a hundred years.

More than the autobiography of a legendary actress, Then Again is a book about a very American family with very American dreams. Diane will remind you of yourself, and her bonds with her family will remind you of your own relationships with those you love the most.
Diane Keaton has starred in some of the most memorable movies of the past forty years, including the Godfather trilogy, Annie Hall, Manhattan, Reds, Baby Boom, The First Wives Club, and Something’s Gotta Give. Her many awards include the Golden Globe and the Academy Award. Keaton lives with her daughter and son in Los Angeles.
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Publisher: Random House (November 15, 2011)
Language: English
ISBN-10: 1400068789
ISBN-13: 978-1400068784
Genre : Biographies & Memoirs

Review
It has been a surprise to me at times and is somewhat confusing again at times. Ms. Keaton wrote her story along with her mother's own biography written as a diary or one could just say, her mother puts down her thoughts and feeling often, ending up with about 90 notebooks. In as much as Diane tears along with her story and seemingly to me she jumps right into parts of her mother's writings (it is true that her mother's story is in different type, yet if you read quickly as I do, I have to stop every once in awhile and go back as I begin to wonder what just happened.) Ah yes, Diane has changed the writer. It's not a big problem, but somewhat irksome to me. Diane told by herself is an unusual female, never seeming to be very interested in the opposite sex even a little bit and that is shown in high school where she says she is not liked and ugly and unattractive and uninterested in the opposite sex. She has a habit of constantly putting herself down, calling herself stupid, dumb, unlikeable. She claims she was terrible in school, getting only C minuses, and simply not understanding much at school at all. Yet, she goes on to remark upon her successes in many fields outside school. She may have had a learning disability and not have been stupid at all as I am sure is true. She may mention this before the end of the book; I hope so for I'm getting tired of her beating her breast claiming stupidity and yet accomplishing so much. She sounds very eccentric but in a way that makes me feel that a lot of it could be an act. 
As you can see, I'm not finding her charming, and I always before thought her a very interesting and exciting woman. You'll have to try her on yourself for I feel this book will have its lovers and then others like me who say I don't find her someone I'd want to spend any time with. Perhaps others will find Ms. Keaton's strange mix of biographies interesting and captivating. I just think her method detracts from my desire to learn more of either character. I hope others have more fun with this book than I am having, but then no one can say Ms. Keaton is boring. That last being said for the fans who will think my review is absolutely and cruelly wrong. Honestly, all I should say is read it for yourself.
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20 Nov 2011

Awind McTiVia/ Review

 Awind McTiVia frontal view
Price: $200
This tiny Wi-Fi-enabled device promises to shuffle both the audio and video on your Mac (or PC) straight to your HDTV, with zero limitations on content or services. Take that, Apple TV!

The actual mirroring device, which supports 802.11b/g/n and resembles a miniaturized cable box, can be set up in various configurations. As Awind points out, the best way to proceed is to use Ethernet to connect the McTiVia box to your computer. This will produce the zippiest data speeds and throughput. Of course you can also connect your McTiVia to an Ethernet router and then access it wirelessly from your computer. And if you abhor wires, each device can simply use Wi-Fi to speak to each other.

While streaming boxes like the Apple TV and Roku 2 at least have some level of straightforwardness to them, the McTiVia required over an hour of tinkering on my part to get it to work properly. After hooking up the box directly to the TV with an HDMI cable, I had to install what turned out to be some very buggy software. Then it was off to download a patch as well as a new version of said software from Awind’s site.The MirrorOp software you install has an annoying habit of reformatting your computer screen’s resolution each time you connect to your TV. If you don’t like that default resolution (I didn’t) you’ll have to change it on both your TV and computer.
 Awind McTiVia
Once things were up and running, there was little pay off for all that effort. While the McTiVia supports 720p video (same as the Apple TV) and 44.1kHz audio, everything I played, from Netflix streams to native movies, looked like DVD-quality at best. Add to that the fact that many of my iTunes-purchased movies and TV shows wouldn’t display, and I was pretty much ready to throw in the towel after 90 minutes.Almost every aspect of the McTiVia feels rushed and/or unrefined. Whether it’s the somewhat comical grammatical errors on the FAQ page and quick installation guide or the temperamental software setup, the McTiVia just isn’t as polished as other streaming options. This left me wondering not only how it managed to win the Best in Show award at Macworld 2011, but also why the device exists in the first place.

A wireless keyboard and mouse can be used to control things, but the UI experience on a PC doesn’t really translate to bigger screens. And while it’s certainly nice to occasionally beam your desktop to a bigger screen, building an entire product around this one feature and then charging twice as much for it as other streaming boxes is perhaps not the way to go.
Not to mention the fact that for far less money, you can simply buy an adaptor (Mini DisplayPort to HDMI) for your MacBook or Mac Mini and just physically hook them up to your TV. Voila! You can still control everything wirelessly and you’ll get infinitely better video and audio results since you’re not dealing with any latency.

The Good : A decent option for heavy online video watchers or those who want to play PC games on a bigger screen. Comes with a USB port for hooking up a mouse or keyboard. Doubles as a wireless access point for your home network.

The Bad: Grossly overpriced for what it does. HDMI cable not included. Complicated set-up (basically trial and error) and lackluster results. No extended display options. Audio limited to two channels. Wouldn’t stream iTunes-purchased movies or TV shows after OS X Lion update.

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2012 Audi A4 Avant Wagon

2012 Audi A4 Avant Wagon
Basic Specs
City (MPG) : 21/Hwy (MPG) :29  Horsepower : 211@4300-6000  Torque (lb-ft) : 258@1500-4200

Audi took the wraps off its redesigned A4 Avant station wagon for the latest model year. Based directly on the new A4 Sedan, the Avant model is larger and more advanced than its predecessor.
Compared to the old model, the proportions have been adjusted noticeably. The front overhang has been shortened, and the hood and the wheelbase have gained considerably in length. The newly developed five-link front axle has been shifted farther forward. This ensures that the axle loads are better distributed, thereby improving handling.
The new A4 Avant measures 15.42 feet in length, 4.72 inches longer than the previous model. The body structure is considerably more rigid and stronger, yet is around 10 percent lighter at the same time.
Visually, the Avant is very similar to the new Sedan. The flat D-pillars create a more dynamic silhouette than those of past A4 wagons. The new A4 Avant will roll off the production line on 16 inch and 17 inch alloy wheels.
As with the sedan, the interior is all-new, featuring more legroom, improved materials, and more comfort overall. The driver-oriented cockpit borrows many features from the larger A8, Audi says. Thanks to the new electro-mechanical parking brake, the manual parking brake was no longer necessary, creating more space in the center console area.
Audi claims a maximum storage space of 50.50 cubic feet is the largest luggage capacity in the wagon's competitive field. The 60/40 split-fold rear seats also come with the option of a load-through hatch with separate ski and snowboard bag.
2012 Audi A4 Avant Wagon interior
Engine
While Europe will get the Avant with a choice of three diesel engine and two gasoline ones, Audi says the sole engine for North America will be a new turbocharged four-cylinder.
Gone are the multiple engine offerings, and in place of six and four-cylinder offerings is a single, 2.0-liter TFSI engine. This turbocharged four-cylinder engine is good for an impressive 211 horsepower from 4,300 to 6,000 rpm, and 258 lb-ft of torque from 1,500 to 4,200 rpm.
For the A4 Avant, the only transmission choice is the Tiptronic eight-speed transmission, rated at 21 city, 29 highway miles per gallon. This model is only available with quattro all-wheel drive.
Safety
Collision safety is improved by a combination of adaptive airbags, belt tensioners with variable belt force limiters and seat position sensors on the front seats to best protect occupants. In case of a rear-end collision, the backs of the front seats and the head rests support the upper body.
An electronic stabilization program (ESP) is standard, and can be partially switched off when driving under 44 mph. A new variable steering ratio system adjusts by nearly 100 percent depending on the speed driven.

High-tech features
Optional high-tech systems include the Audi parking system (a parking aid; standard for the A4 Avant Ambiente), Audi lane assist (the lane departure warning system) and Audi side assist (which warns of hazards when changing lane). Adaptive cruise control maintains the distance to the vehicle in front.
The Audi Music Interface (AMI) allows iPods and similar devices to be connected. The navigation systems with MMI Basic plus or with DVD including MMI are also further upgrade options. They permit the integration of cell phones as Bluetooth car phones and are combined with the MMI operating system. A high-performance Bang & Olufsen audio system is available with a 505 watt, ten-channel amplifier that controls 14 speakers.

Packages
The new Audi A4 Avant will roll off the production line in the Attraction, Ambition, and Ambiente equipment lines. The dynamic S line offers the options of an exterior package and a sports package. The range of options includes luxury-class features such as air-conditioned comfort seats, the triple-zone climate control system, the advanced key which allows keyless access to the vehicle and vehicle start-up at the press of a button, and the dynamic cornering light system known as adaptive light. The large panoramic glass sunroof lights up the interior.

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Jack and Jill (2011)/ Movie Review

Release Date: 11 November 2011 (USA) 
Taglines: His twin sister is coming for the holidays... ...and it ain't pretty.
Genre: Comedy

Family guy Jack Sadelstein prepares for the annual event he dreads: the Thanksgiving visit of his identical twin sister, the needy and passive-aggressive Jill, who then refuses to leave.

Director: Dennis Dugan
Writers: Adam Sandler (screenplay) Steve Koren (screenplay), Ben Zook (story)
Cast : Adam Sandler, Katie Holmes, Al Pacino, Elodie Tougne , Rohan Chand, Eugenio Derbez , David Spade, Nick Swardson, Tim Meadows , Allen Covert, Norm MacDonald, Geoff Pierson ,Valerie Mahaffey , Gary Valentine,   
Storyline
Jack Sadelstein (Adam Sandler) is a successful advertising executive in Los Angeles with a beautiful wife (Katie Holmes) and kids, who dreads one event each year: the Thanksgiving visit of his identical twin sister Jill (also Adam Sandler). Jill's neediness and passive-aggressiveness is maddening to Jack, turning his normally tranquil life upside down. Written by Columbia Pictures  

Filming Locations: Allure of the Seas
Production Co: Broken Road Productions, Happy Madison Productions
Sound Mix: SDDS  | DTS (as Datasat Digital Sound) | Dolby Digital
Original Music by Rupert Gregson-Williams        
Cinematography by Dean Cundey        
Film Editing by Tom Costain        
Casting by Roger Mussenden & Jeremy Rich       
Production Design by Perry Andelin Blake       

The trailer is the highlights

The standard that Adam Sandler movies has set is pretty low, but even with such low expectations going to the movie, the movie still felt terrible. The gag is twins and ignoring that healthy identical twins with different genders is impossible, we get to see Adam Sandler dress up as a woman. And, we get to see Adam Sandler dress up as a woman a lot, ridiculously lot and so much so, that Jack Adam Sandler and the rest of the cast are just supporting actors to the almighty squawking of Jill Adam Sandler.
We could say this is just Adam Sandler up to his usual antics but Jill Adam Sandler hogs up the screen time and nothing about her really makes any sort of logical sense. There is Al Pacino as himself who falls for Jill, a possibility that the writers explain away as madness or nervous breakdown of Al Pacino. Then, there is Jill who is loved by the kids and Jack's wife Erin (played by Katie Holmes) for reasons that Jill doesn't portray on screen and we are never shown, all we are shown is the mean and manipulative Jill. The Jill that Adam Sandler portrays is his own immature rendition of a woman, filled with toilet humor and displays of uncharacteristic skills and strength as positive attributes. Jill is portrayed uninteresting and vacuous though written differently, and that being the center of the movie makes the movie uninteresting and tiresome.
The movie would have been an acceptable Sandler movie if Jill had been played by a woman who could actually portray a big heart. The previous Sandler movies were enjoyable movies, but Jack and Jill is a real stinker, barely watchable. The only thing I found interesting was the background opulence of everyone around, thrown around so casually that it really feels like the big guys involved in the movie have severely lost touch with their audience and given way to sloth where they think anything they do is magical. Avoid the movie.


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Throw Them All Out by Peter Schweizer/Review

Peter Schweizer (Author)
One of the biggest scandals in American politics is waiting to explode: the full story of the inside game in Washington shows how the permanent political class enriches itself at the expense of the rest of us. Insider trading is illegal on Wall Street, yet it is routine among members of Congress. Normal individuals cannot get in on IPOs at the asking price, but politicians do so routinely. The Obama administration has been able to funnel hundreds of millions of dollars to its supporters, ensuring yet more campaign donations. An entire class of investors now makes all of its profits based on influence and access in Washington. Peter Schweizer has doggedly researched through mountains of financial records, tracking complicated deals and stock trades back to the timing of briefings, votes on bills, and every other point of leverage for politicians in Washington. The result is a manifesto for revolution: the Permanent Political Class must go.
About the Author
Peter Schweizer is a research fellow at the Hoover Institution, Stanford University. From 2008-9 he served as a consultant to the White House Office of Presidential Speechwriting and he is a former consultant to NBC News.  He has written for the New York Times, Wall Street Journal, Los Angeles Times, USA Today, National Review, Foreign Affairs, and elsewhere. His books include The Bushes, Reagan's War, and Do as I Say, Not as I Do.

Publisher: Houghton Mifflin Harcourt Trade (November 15, 2011)
Language: English
ISBN-10: 0547573146
ISBN-13: 978-0547573144 
Genre : Politics & Social sciences

Review
The Permanent Political Class is far more patriotic and intelligent than lazy Americans!,
By Hassan Z. Brockovich Sr.
In this revolutionary tome, the author boldly establishes that all average Americans--members of the military, moms and dads, those in the boy scouts--are all inferior in comparison to the elites in the political class of both parties...and I wholeheartedly agree. Schweizer has meticulously researched all the evidence, which is why I agree with him totally.

According to his earth-crushing investigation, the permanent political class is in power in Washington, D.C., because average Americans are all just lazy, stupid and unmotivated, while the political class is savvy, aggressive and very ambitious. I could not agree more; after all, how can you explain that the political class keeps lying to the average voter...yet the average voter keeps sending them back every election cycle to Washington, D.C., to screw them over some more?!?!? This groundbreaking research should be on everyone's Kindle, I dare say!

What I find particularly eye-opening is the persuasive power of Schweizer's argument. He says that the political class deserves to be in power because they have the deviousness to stay there. I couldn't agree more because the political class is so intelligent that they--get this!--compel CEOs to let them buy lucrative shares in IPOs at very low prices in exchange for passing favorable legislation for those CEOs! And all the while, the stupid idiot people of America--that would be you and me who have a 9 to 5 job, worship God and like to go to a ballgame every now and then--just carry on with their ignorance-is-bliss lives while the political class keeps enriching their wealth, power and influence in this way!! Genius...simply genius!
After being shellshocked by reading this, I have to agree with the thesis of Schweizer. The majority of Americans who is not among the permanent political class in Washington, D.C., is simply stupid and deserves to be poor and struggling. Conversely, I also believe in the author's words praising this same political class as the smartest and brightest of America. After all, they are the ones who are in power, have all the money and keep conniving with other rich people to permanently keep the 99% of us all down, poor and ignorant! All hail the permanent political class in this country!
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17 Nov 2011

Jack Kennedy: Elusive Hero by Chris Matthews /Review

“What was he like?”Jack Kennedy said the reason people read biography is to answer that basic question. With the verve of a novelist, Chris Matthews gives us just that. We see this most beloved president in the company of friends. We see and feel him close-up, having fun and giving off that restlessness of his. We watch him navigate his life from privileged, rebellious youth to gutsy American president. We witness his bravery in war and selfless rescue of his PT boat crew. We watch JFK as a young politician learning to play hardball and watch him grow into the leader who averts a nuclear war.What was he like, this person whose own wife called him “that elusive, unforgettable man”? The Jack Kennedy you discover here wanted never to be alone, never to be bored. He loved courage, hated war, lived each day as if it were his last.Chris Matthews’s extraordinary biography is based on personal interviews with those closest to JFK, oral histories by top political aide Kenneth O’Donnell and others, documents from his years as a student at Choate, and notes from Jacqueline Kennedy’s first interview after Dallas. You’ll learn the origins of his inaugural call to “Ask what you can do for your country.” You’ll discover his role in the genesis of the Peace Corps, his stand on civil rights, his push to put a man on the moon, his ban on nuclear arms testing. You’ll get, more than ever before, to the root of the man, including the unsettling aspects of his personal life. As Matthews writes, “I found a fighting prince never free of pain, never far from trouble, never accepting the world he found, never wanting to be his father’s son. He was a far greater hero than he ever wished us to know.”

    History made him, this lonely, sick boy. His mother never loved him. History made Jack, this little boy reading history.  —Jacqueline Kennedy, November 29, 1963,

Hardcover: 496 pages
Publisher: Simon & Schuster (November 1, 2011)
Language: English
ISBN-10: 1451635087
ISBN-13: 978-1451635089
Biographies & Memoirs
Review
Chris Matthews has been telling his viewers how proud he is of his fraudulent book for months. But you only need look at one thing to understand the level of his plaguristic egomania. Matthews went on Jay Leno last week and talked about how he- Chris Matthrews- had discovered and dug out a previously unknown document at Choate School that proves where JFK got the "ask not what your country can do for you line." (To prove his hero thesis, he must discount the theory that Ted Sorenson wrote all the great lines). Matthews tells the story with the enthusiasm of a discover who has found the missing link, the holy grail, he has solved a presidential mystery of the ages. Of course he could have just read the New York Times from May 10, 2005, which reported the same thing, that would be five years ago. Hard to believe Matthews mysteriously found this document, that no one else had ever seen before him. That what he claims, of course. Here is what was published in the Times, five years ago: "The provenance of the speech's most famous words, the "ask not" portion, has a less inspiring history. The words hark back at least to Kennedy's years at Choate, the Connecticut prep school, where the headmaster regularly reminded his charges that what mattered most was "not what Choate does for you, but what you can do for Choate." So much for a new revelation!

JFK may have been an "elusive hero." Matthews is nothing but a self-promoting huckster and a phony, a combinaion that he endorsed in his last silly book, the one that Jon Stewart ridiculed. Afterwards Matthews said Stewart was "jealous of me." Right.
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16 Nov 2011

Samsung Stratosphere/Review

Samsung Stratosphere
Product highlights
*  $149.99
*  Verizon's ultrafast 4G LTE speeds
*  QWERTY keyboard
*  Wi-Fi Direct, DLNA, and VPN support.
*  5-megapixel camera that takes good photos

A glossy, all-touch black face with rounded shoulders that still looks elegant in its minimalism. Here the soft-touch finish gets a pleasant, slightly nubbly texture that's reminiscent of suede. The Samsung Stratosphere is Verizon's first LTE phone to also have a keyboard.
Fits right into the middle of the pack in this age of "jumbo phones," and is neither too large nor too small. It's still a bit on the heftier side at 5.8 ounces, but the weight adds a sense of durability that's to be expected in larger phones with greater mass.

The 4-inch WVGA (800x480 pixels) Super AMOLED screen is still impressive, with bright, saturated color that leaps off the display.

The Stratosphere runs Android 2.3 Gingerbread using Samsung's TouchWiz interface.With the drastically revamped Android 4.0 Ice Cream Sandwich right around the corner, and the strong graphics and smart contributions from HTC's Sense interface, Samsung needs to offer something more beautiful or dynamic to make the interface truly compelling.
Customizable home screens right out of the box, your choice of some nice backgrounds, the "leap" screen for viewing all your home screens in one view, and a horizontal-swiping treatment to the app tray.
Swype is a virtual keyboard option on the Stratosphere, but you have to choose it if you want it, since Samsung's keyboard is the one that comes preloaded by default.
Above the screen is a front-facing VGA camera for self-portraits and video chats. Below the screen are four touch-sensitive buttons for the Menu, Home, Back, and Search. The power button lives on the right spine, and on the left is the volume rocker. Up top you have the 3.5mm headset jack, and on the bottom is the Micro-USB charging port. The back has the 5-megapixel camera lens, and beneath the back cover is the microSD card slot. The Stratosphere generously comes with 4GB of external memory preinstalled.
The keys are backlit, fully separated, and rubbery; angled in slightly that snaps back when touched. Samsung has also added a handful of convenience keys, like ones dedicated to Search, Back, Menu, and Home, plus keys to pull up a blank text message, the browser, and four directional navigation arrows.
E-mail, texting, multimedia messaging, Wi-Fi, Bluetooth support (3.0), and GPS. There's also contact-importing and access to a range of Google services, from Gmail, maps with turn-by-turn-navigation, to Google Places, Talk, Search, and YouTube. Essentials include a calendar, a calculator, a clock (plus alarm clock, stopwatch, and timer), an HTML WebKit browser, and a memo pad. Android's basic music player is also onboard, along with a handful of other Google services.
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