Showing posts with label september2011 releases. Show all posts
Showing posts with label september2011 releases. Show all posts

25 Oct 2011

Johnny English Reborn (2011)

Release Date: 23 September 2011 (India) Runtime:  101 min
Genres: Adventure | Comedy | Thriller
Taglines: Laugh at the face of danger
Johnny English goes up against international assassins hunting down the Chinese premier.
Director: Oliver Parker
Writers: William Davies, Hamish McColl ,Robert Wade &    Neal Purvis
Cast overview
Roger Barclay , Eric Carte , Rowan Atkinson, Togo Igawa, Eleanor Wyld, Mandi Sidhu, Margaret Clunie , Gillian Anderson , Rosamund Pike , Dominic West , Tim McInnerny , Mariella Frostrup Daniel Kaluuya , Miles Jupp, Pik Sen Lim
Original Music by  Ilan Eshkeri       
 Cinematography by  Danny Cohen       
Film Editing by  Guy Bensley       
Casting by  Lucy Bevan       
Production Design by  Jim Clay       
Art Direction by  Paul Laugier & Mike Stallion         
Costume Design by  Beatrix Aruna Pasztor       

Storyline
Rowan Atkinson returns to the role of the accidental secret agent who doesn't know fear or danger in the comedy spy-thriller Johnny English Reborn. In his latest adventure, the most unlikely intelligence officer in Her Majesty's Secret Service must stop a group of international assassins before they eliminate a world leader and cause global chaos. In the years since MI-7's top spy vanished off the grid, he has been honing his unique skills in a remote region of Asia. But when his agency superiors learn of an attempt against the Chinese premier's life, they must hunt down the highly unorthodox agent. Now that the world needs him once again, Johnny English is back in action. With one shot at redemption, he must employ the latest in hi-tech gadgets to unravel a web of conspiracy that runs throughout the KGB, CIA and even MI-7. With mere days until a heads of state conference. Written by Universal Pictures  

Filming Locations:  Ealing Studios, Ealing, London, England, UK
Production Co:  Universal Pictures, Relativity Media, Studio Canal
Sound Mix:  Dolby Digital  | DTS (as Datasat Digital Sound) | SDDS

Review
Agent Tucker played by the famous and well known Daniel Kaluuya is exactly what many movies are missing. Agent Tucker is the missing link to all those movies which lacked the ignition to make them blockbusters. Tucker plays Johnny Englishes (Rowan) sinister assistant in the epic race to find the third member of the assassination group Vortex. Tucker brings action, comedy and drama to the screen with a performance which is sure to win him an Oscar and major roles in the years to come. Many people say that this sequel does not live up to the expectations of the prequel but i can surely say that this movie had me and the edge of my seat with laughter as well as the audience who attended the screening.
MOVIE TRAILER 

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17 Oct 2011

50/50 (2011)/Movie Review

Release Date: 30 September 2011 (USA) Runtime: 100 min
Taglines:  It takes a pair to beat the odds
Genres:  Comedy | Drama
Inspired by a true story, a comedy centered on a 27-year-old guy who learns of his cancer diagnosis, and his subsequent struggle to beat the disease.

Director: Jonathan Levine
Writer: Will Reiser
Cast overview,:
Joseph Gordon-Levitt ,Seth Rogen, Anna Kendrick, Bryce Dallas , Rachael
Anjelica Huston , Serge Houde , Andrew Airlie, Matt Frewer, Philip Baker Hall , Alan
Donna Yamamoto, Sugar Lyn Beard, Yee Jee Tso     , Sarah Smyth , Peter Kelamis , Jessica Parker Kennedy ,

Original Music by Michael Giacchino       
Cinematography by Terry Stacey       
Film Editing by Zene Baker       
Casting by  Sandra-Ken Freeman & Francine Maisler       
Production Design by Annie Spitz  

Storyline
Inspired by personal experiences, 50/50 is an original story about friendship, love, survival and finding humor in unlikely places. Joseph Gordon-Levitt and Seth Rogen star as best friends whose lives are changed by a cancer diagnosis. Rogen also serves as producer, along with Evan Goldberg and Ben Karlin. Jonathan Levine directs from a script by Will Reiser. “We worked with Will on Da Ali G show, and it was shortly after that we learned he was sick.” Rogen recalls. “As shocking, sad, confusing and generally screwed up as it was; we couldn’t ignore that because we were so ill-equipped to deal with the situation, funny things kept happening. Will got better, and when he did, we thought the best way to pull something good out of the situation was to get him to write a screenplay. Ideally we wanted to make a film that would be as funny, sad, and hopefully as honest as the experience we went through. As soon as the script was completed, it quickly became a passion project for all of us. It helped us come to terms with Will’s struggle as well as our own experiences.” 50/50 is the story of a guy’s transformative and, yes, sometimes funny journey to health. 50/50 draws its emotional core from Will Reiser’s own experience with cancer and reminds us that friendship and love, no matter what bizarre turns they take, are the greatest healers.

Filming Locations: Vancouver, British Columbia, Canada
Production Co: Mandate Pictures, Point Gray See more »
Sound Mix: Dolby Digital  | SDDS  | DTS (as Datasat Digital Sound)
Review
The perfect balance between drama and comedy, '50/50' depicts cancer the right way
by Movie_Muse_Reviews (IL, USA)
Most movies don't know how to handle cancer. Heck, most people don't know how to handle cancer — and I'm not talking about the patients. Cancer, or any other terminal illness for that matter, almost always plays some kind x-factor in a film — that is when a film even dares to enter a realm often deemed depressing and "not for the movies." Most often, scripts will position cancer as a tearjerking emotional turning point in a film or as the initial spark of some banal "live life to the fullest" comedy.
"50/50" puts an end to that. Written semi-autobiographically by cancer survivor Will Reiser, it would seem it takes one to write one. Although cancer drives the entire story, the story doesn't fixate on cancer or melodramatize the terrible truths we already know about potentially fatal illness. Perhaps you could tell as much from the trailer thanks to some typical Seth Rogen antics, but the injection of contemporary R-rated humor is neither irreverent, insensitive nor an attempt to simply put a positive spin on a depressing subject. Life — believe it or not — doesn't stop for cancer. People don't sit in the hospital the entire time and then lie at home in bed the rest. Reiser's story provides a mostly unforced and honest depiction of a young man's diagnosis and treatment for potentially fatal spinal cancer, one where cancer isn't the conflict in and of itself, but the way it so dramatically changes the behavior of the people whose lives it enters and positively and negatively alters relationships.

Joseph Gordon-Levitt continues his spree of playing absolutely lovable main characters as Adam, a play-it-safe 27-year-old who after the initial shock handles his diagnosis in stride, keeping his ups and downs internal other than when the script cues him to let it out a bit. The more external symptoms come from Adam's girlfriend (Bryce Dallas Howard), best friend Kyle (Seth Rogen) and mother (Anjelica Huston).

Other than focusing on these relationships, director Jonathan Levine ("The Wackness") puts particular emphasis on character perspective, which will change instantaneously at points throughout the film. In one terrific sequence, Adam enters the hospital for his first chemo treatment and gets bummed out by all the sick and ailing people in the hallway. After the older men he meets while getting treatment (Philip Baker Hall and Matt Frewer) give him some marijuana-filled pastries, he leaves down the same hallway high as a kite, suddenly elated despite the same negative images lining the hall. Levine understands that so much of how you deal with cancer relates to mood and perspective at any given time.

Levine coaxes brilliant and thoughtful performances out of his actors. Even though Rogen exerted his usual shtick a bit more than needed, he handles his character as written, someone who wants desperately to help his best friend but hides behind shallow self-centered form of support that many men turn to because they can't communicate emotions all that well.

The women of "50/50" also deliver if not more so. Howard's character is an unlikable mess but she gives her performance convincingly. Anjelica Huston perfects the ideal on-screen mother, the best since Melissa Leo's Oscar-winning mother in "The Fighter." Anna Kendrick also continues to blow me away with her talent. She plays a psychiatrist working on her PhD who receives Adam as just her third patient. She gives such lifelike quirks to her characters and Katie plays right to her strengths.

But in a drama/comedy about cancer, the key lies in tone and for that Levine should become an A-list director. "50/50" could have easily turned into a Hollywood hack-job like the various comic-toned cancer films before it, a film that either overplays the dramatic or overcompensates with the humorous, but "50/50" might be one of film's best balancing acts between the two. The shifts feel completely natural between moments of deep sentiment and moments of levity. Those who can't help but fixate on this being a movie about cancer will likely have to remind themselves to feel serious when "50/50" just wants you to simply absorb it as you would any other film.

Other than some predictable moments and plot devices to give the film a nicer Hollywood sheen, "50/50" provides a genuine and heartfelt movie experience, one that neither goes for the emotional sucker punch nor the sugarcoated version. Instead of making us look at cancer in a specific way, it makes us look at the way we look at cancer — or any uncomfortable subject — the way we talk about it or don't talk about it, the way we interact with those who live with it and the way we cope with it ourselves. That way when someone we love has a serious problem, we can ultimately do what's best for that person
Trailer 
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15 Oct 2011

Courageous (2011)/ Movie Review

Release Date: 30 September 2011 (USA) Runtime: USA: 129 min
Genres:  Drama
Taglines:  Four men, one calling: To serve and protect
When a tragedy strikes close to home, four police officers struggle with their faith and their roles as husbands and fathers; together they make a decision that will change all of their lives.
Director: Alex Kendrick
Writers: Stephen Kendrick, Alex Kendrick
Credited cast:
Alex Kendrick, Ben Davies, Ken Bevel, Kevin Downes, T.C. Stallings, Rusty Martin, Dylan Mitchell,
Rusty Martin, Sr. Angelita Nelson, Robert Amaya, Matt Hardwick, Eleanor Brown, Renee Jewell,
Taylor Hutcherson, Ed Litton
Summary
Four men, one calling: To serve and protect. As law enforcement officers, they face danger every day. Yet when tragedy strikes close to home, these fathers are left wrestling with their hopes, their fears, and their faith. From this struggle will come a decision that changes all of their lives. With action, drama, and humor, the fourth film from Sherwood Pictures embraces God's promise to "turn the hearts of fathers to their children, and the hearts of children to their fathers." Souls will be stirred, and hearts will be challenged to be ... courageous!

Filming Locations: Albany, Georgia, USA
Budget:  $2,000,000 (estimated)
Production Co:  Alabama Production Group, Sherwood Pictures
Sound Mix: SDDS  | DTS (as Datasat Digital Sound) | Dolby Digital

Review
Faith, Family, Fatherhood - all in one
 dmhonan (United States)
This is quite simply a superb movie about faith, love, family and what is really important in life. A must for all fathers and would be fathers. The movie weaves real life adventure and problems into a compelling police-based story and delivers solutions to those problems that can be used in our lives. Sure, some of the jokes are a little corny, but they are all in good taste - a rare exception to Hollywood's sex, sex and more sex mentality. The acting is really pretty good - there's no Brad Pitt here, but there is plenty of heart and soul from the entire cast. Hard to believe a movie with this much drama, acting and pathos was created with only a one million dollar budget! It is not only entertaining and funny but didactic as well. Don't miss this one - do it for yourself - do it for God!


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6 Oct 2011

Dolphin Tale (2011)/Movie Review

Release Date: 23 September 2011 (USA) Runtime: 113 min
Genres: Drama | Family

A story centered on the friendship between a boy and a dolphin whose tail was lost in a crab trap.

Cast: Harry Connick Jr., Ashley Judd, Nathan Gamble, Kris Kristofferson, Cozi Zuehlsdorff, Morgan Freeman, Austin Stowell, Frances Sternhagen, Austin Highsmith, Betsy Landin

Director:  Charles Martin Smith
Writers (WGA):  Karen Janszen (written by) and  Noam Dromi (written by)
Original Music by Mark Isham        
Cinematography by Karl Walter Lindenlaub        
Film Editing by Harvey Rosenstock        
Casting by Kerry Barden     & Paul Schnee        

Storyline
A lonely and friendless boy finds and untangles a hurt dolphin that is caught in a crab trap. He becomes very attached to the dolphin when the tail must be taken off to save the dolphin's life. The boy believes the dolphin would be able to swim normally if it was given a prosthetic tail.
Filming locations
Admiral Farragut Academy, St. Petersburg, Florida, USA
Clearwater Marine Aquarium, Clearwater, Florida, USA
Satinleaf Avenue Oldsmar, Florida, USA
Production Co: Alcon Entertainment, Paradise F.X. Corp.
Sound Mix: Dolby Digital  | SDDS  | DTS (as Datasat Digital Sound)

User Review
What a treat! This is a movie for "Everyone of All Ages", not just kids. I would dare to suggest that Parents should not drop off the kids to see this film but share this movie with your children. It is a very enjoyable, uplifting and heartwarming film that you will definitely enjoy seeing with your children. Grandparents will also enjoy seeing this film with their grandchildren. It is also a factual and enlightening film based upon a true story and is not "a fantasy film", such a the "Free Willy" type of films. I highly recommend that you put this on your "Must See" list and if you cannot make it to the theatre it will make a great Christmas gift or stocking stuffer. Thank you so very much, Warner Bros. Pictures Canada and Empire Theatres!



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Rin Tin Tin: The Life and the Legend by Susan Orlean/Book Review

Susan Orlean (Author)
    Hardcover: 336 pages
    Publisher: Simon & Schuster
    (September 27, 2011)
    Language: English
    ISBN-10: 1439190135
    ISBN-13: 978-1439190135
    Biographies, Memoirs, Literature
Description
He believed the dog was immortal.
So begins Susan Orlean’s sweeping, powerfully moving story of Rin Tin Tin’s journey from orphaned puppy to movie star and international icon. From the moment in 1918 when Corporal Lee Duncan discovers Rin Tin Tin on a World War I battlefield, he recognizes something in the pup that he needs to share with the world. Rin Tin Tin’s improbable introduction to Hollywood leads to the dog’s first blockbuster film and over time, the many radio programs, movies, and television shows that follow. The canine hero’s legacy is cemented by Duncan and a small group of others who devote their lives to keeping him and his descendants alive.
At its heart, Rin Tin Tin is a poignant exploration of the enduring bond between humans and animals. But it is also a richly textured history of twentieth-century entertainment and entrepreneurship and the changing role of dogs in the American family and society. Almost ten years in the making, Susan Orlean’s first original book since The Orchid Thief is a tour de force of history, human interest, and masterful storytelling—the ultimate must-read for anyone who loves great dogs or great yarns.

Praise
“Rin Tin Tin was more than a dog. He embodied the core paradoxes of the American ideal: He was a loner who was also a faithful companion, a brave fighter who was also vulnerable. I was astonished to learn from this delightful book that he has existed for eleven generations over a century. By chronicling his amazing ups and downs, Susan Orlean has produced a hugely entertaining and unforgettable reading experience.” —Walter Isaacson, author of Benjamin Franklin and Einstein

“Not only does Susan Orlean give us a fascinating and big-hearted account of all the many incarnations of Rin Tin Tin, she shows us the ever-changing role of American dogs in times of war and peace. This book is for anyone who has ever had a dog or loved a dog or watched a dog on television or thought their dog could be a movie star. In short—everyone." —Ann Patchett, author of State of Wonder and Bel Canto

“I adored this book. It weaves history, war, show business, humanity, wit, and grace into an incredible story about America, the human-animal bond, and the countless ways we would be lost without dogs by our sides, on our screens, and in our books. This is the story Susan Orlean was born to tell—it’s filled with amazing characters, reporting, and writing.” —Rebecca Skloot, author of The Immortal Life of Henrietta Lacks

Editorial Reviews
“Move over Seabiscuit, Rin Tin Tin will be the most-talked-about animal hero of the year and beyond. . . A spectacularly compelling portrait . . . Engrossing, dynamic, and affecting." —Booklist

“[Orlean] combines all her skills and passions in this astonishing story . . . A terrific dog’s tale that will make readers sit up and beg for more.” —Kirkus Reviews


“Stirring . . . A tale of passion and dedication overcoming adversity. . . . Even readers coming to Rin Tin Tin for the first time will find it difficult to refrain from joining Duncan in his hope that Rin Tin Tin’s legacy will ‘go on forever.’” —Publishers Weekly

Reader's Review
"Rin Tin Tin: The Life and the Legend" is the story of the iconic German shepherd remembered by baby boomers as the star of a television series. In reality, though, Rinty's brush with fame started much earlier, in the silent film era just after World War I. Cpl. Lee Duncan found the pup, part of a litter who with their mom were struggling to survive near a French battlefield. He brought him back to the States after the war, and eventually, impressed with the dog's intelligence, got him a part in a silent film. That part led to a long series of films spotlighting the dog's feats of devotion and heroism. Rinty was the star -- the humans were just supporting players.
He later appeared in a few talkies before old age claimed him. There followed several other incarnations, all named Rin Tin Tin but with different temperaments and levels of intelligence.
This book is the story of the people in Rinty's life, starting with Duncan and proceeding through a quirky and sometimes poignant cast of dog lovers and fame-seekers. It's also a fascinating trip through the early film era in Hollywood, and later the years when television began to exert its hold on the American public. Rin Tin Tin was known around the world in the early to mid-20th century, but now he's mostly a footnote or an answer to a trivia question.
Author Susan Orlean spent years following Rinty's trail, sifting through memoirs and other clues and interviewing the few people still left who were part of the Rinty saga. This is a well-written book that kept my interest to the end.
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1 Oct 2011

Abduction (2011)/Movie Review

 Release Date: 23 September 2011 (India) Runtime: 106 min
Genres: Action | Drama | Mystery | Thriller
Taglines: The fight for the truth will be the fight of his life.

A thriller centered on a young man who sets out to uncover the truth about his life after finding his baby photo on a missing persons website.
Director: John Singleton
Writer: Shawn Christensen
Cast: Lily Collins, Jake Andolin, Oriah Acima Andrews,     Ken Arnold, Maria Bello    , Steve Blass, Derek Burnell, Benjamin J. Cain Jr., Holly Scott Cavanuagh, Radick Cembrzynski, Richard Cetrone, Mike Clark  

Original Music by Ed Shearmur
Cinematography by Peter Menzies Jr.
Film Editing by Bruce Cannon       
Casting by Alan Lee Joseph Middleton       
Production Design by Keith Brian Burns       
Production Companies: Gotham Group  Lionsgate  Quick Six Entertainment  Tailor Made Vertigo Entertainment
Filming locations:  Brownsville, Pennsylvania, USA Pittsburgh, Pennsylvania, USA Sutersville, Pennsylvania, USA
Sound Mix: Dolby Digital
REVIEW
The premise for this story is that Nathan (Lautner) is living a wonderful life with his two parents. However, one fateful day a group of men kill his parents and destroy his home sending he and his girlfriend Karen (Lily Collins) on an adventure, as they try to avoid the CIA and the Russian Intelligence. This is really all I can say without ruining any major aspects in this tried and true plot.
I'll start this review by saying that trailer was more action packed then the actual movie. Rather than seeing Lautner wield a gun and do some awesome martial arts, a majority of the action involves the teenage couple mainly eluding the henchmen. Various chase scenes, both car and on foot, are shown throughout the movie, and are interspersed with repetitive dialog and occasional, albeit brief combat scenes. As a result, action lovers or even semi action lovers will be disappointed with what this movie has to offer.
So you may be asking, "Robbie if the story was bad and the action was not very good, what was good about it?" Well the two biggest strengths of this movie were the soundtrack and the suggestion of a plot twist. The soundtrack for the most part provided more of an adrenaline rush than anything interlacing fast paced techno tones with hard core guitar. The combination of the two styles gave half of the chase scenes their character. Perhaps the biggest reason I stayed though was that the film kept suggesting there was going to be some plot twist, or underlying motif to the reason Nathan was being chased. Although they told you the reason he was being hunted, the acting and plethora of shady moves kept hinting there was something more. I'm here to tell you that there is a very minor twist that really wasn't worth the long wait.
The only other things I can say about this movie are the following. First Taylor Lautner fans are going to go gaga over watching their favorite werewolf smolder and pout throughout the whole movie. He still delivers the same monotone dialog that he made famous in his teenybopper career, but this time keeps his shirt on to actually act. Regardless teenage girls and other big fans will not mind as they scream in delight, while those who don't will enjoy watching him get owned in a few scenes. Guys will be happy to see the cute Lilly Collins throughout the movie, and may even enjoy her acting as much as I did. I have to applaud the camera work as well as they do a nice job of capturing what little detail was in this movie. Finally fans may have seen Sigourney Weaver in the trailer, but like so many cameos these days, her star appearance is few and far in between.
Lautner may have finally escaped his werewolf days of Twilight, but he hasn't really traveled that far outside of the role. The promise Abduction had shown in the trailers was grossly overrated. A shallow plot, overabundance of chase scenes, and lack of twist really disappointed me.
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Aleph by Paulo Coelho/Book Review

Paulo Coelho (Author)
Hardcover: 288 pages
Publisher: Knopf (September 27, 2011)
Language: English
ISBN-10: 0307700186
ISBN-13: 978-0307700186
Genre : Literature & Fiction

Editorial Reviews
‘His books have had a life-enhancing impact on millions of people.’THE TIMES
‘One of the few to deserve the term Publishing Phenomenon.’INDEPENDENT ON SUNDAY
‘Coelho’s writing is beautifully poetic but his message is what counts…he gives me hope and puts a smile on my face.’DAILY EXPRESS
Description
In his most personal novel to date, internationally best-selling author Paulo Coelho returns with a remarkable journey of self-discovery. Like the main character in his much-beloved The Alchemist, Paulo is facing a grave crisis of faith. As he seeks a path of spiritual renewal and growth, he decides to begin again: to travel, to experiment, to reconnect with people and the landscapes around him.
Setting off to Africa, and then to Europe and Asia via the Trans-Siberian Railway, he initiates a journey to revitalize his energy and passion. Even so, he never expects to meet Hilal. A gifted young violinist, she is the woman Paulo loved five hundred years before—and the woman he betrayed in an act of cowardice so far-reaching that it prevents him from finding real happiness in this life. Together they will initiate a mystical voyage through time and space, traveling a path that teaches love, forgiveness, and the courage to overcome life’s inevitable challenges. Beautiful and inspiring, Aleph invites us to consider the meaning of our own personal journeys: Are we where we want to be, doing what we want to do?
Review
Deep reincarnation thriller By  Harriet Klausner
Although an international acclaimed author, Paulo faces a spiritual crisis. He tells his Tradition guide J. that he believes his journeys are over as he can no longer grow. J. suggests he get out on a rejuvenation tour to meet people that will lead him to the Aleph where time is a constant sameness and force him away from dwelling on his previous lives. Reluctantly at first he visits six countries which energize Paulo for the first time in awhile.
Two months into his pilgrimage, Paulo is scheduled to ride the Trans-Siberian railway between Moscow to Vladivostok; making stops on his book tour of Russia. At his hotel in Moscow, Hilel the violinist introduces herself to him before leaving. The next day at his book singing, she is back. Paulo denies knowing who she is but both know he is lying. During the Inquisition in previous lives, they shared the Aleph, but he cowardly betrayed her. He believes his actions towards her are why he cannot grow anymore. As they reconnect, each knows they need to forgive before they can bravely embrace their love and move closer to happiness in and out of the mystical Aleph.
Aleph is not an easy read as the protagonist, the woman he loves in their different lives and his guide tends to use metaphoric transcendentalist talk. The key cast is fully developed in the present arc and so are the glimpses into their past lives especially the inquisition incident. Those readers who appreciate something radically different will enjoy the journeys of Paulo and Hilel to try to cleanse their past if they want a happy future; but in 2006 Russia history seems on the verge of repeating what happened five centuries ago.

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30 Sept 2011

Killer Elite (2011)/Movie Review

Release Date: 23 September 2011 (USA)
Runtime: USA: 105 min  | Germany: 116 min  | UK: 100 min
Genres: Action | Thriller   Taglines: May the Best Man Live

When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.

Cast overview:
Jason Statham, Clive Owen, Robert De Niro, Dominic Purcell, Aden Young, Yvonne Strahovski, Ben Mendelsohn, Adewale Akinnuoye-Agbaje, David Whiteley, Matthew Nable, Lachy Hulme, Firass Dirani, Nick Tate, Bille Brown, Stewart Morritt
   
Director: Gary McKendry
Writers: Matt Sherring (screenplay), Ranulph Fiennes(book "The Feather Men")
Original Music by  Reinhold Heil     & Johnny Klimek        
Cinematography by Simon Duggan & Alain Duplantier
Film Editing by John Gilbert        
Casting by Leigh Pickford        
Production Design by Michelle McGahey        

Storyline
Based on a true story, Killer Elite pits two of the worlds' most elite operatives - Danny, an ex-special ops agent (Jason Statham) and Hunter, his longtime mentor (Robert De Niro) - against the cunning leader of a secret military society ('Clive Owen' ). Covering the globe from Australia to Paris, London and the Middle East, Danny and Hunter are plunged into a highly dangerous game of cat and mouse - where the predators become the prey.

Production Companies :  Omnilab Media|   Ambience Entertainment|   Current Entertainment
Film Victoria |  International Traders |  Open Road Films |  Palomar Pictures (II)  | Sighvatsson Films | Wales Creative IP Fund
Sound Mix: Dolby Digital  | DTS (as Datasat Digital Sound) | SDDS

Filming Locations:  Cardiff, South Glamorgan, Wales, UK| Central City Studios, Melbourne, Victoria, Australia (studio)| Dandenong, Melbourne, Victoria, Australia| Footscray, Victoria, Australia| Frankston, Victoria, Australia| Hawthorn, Melbourne, Victoria, Australia|

Review
The Killer Elite is saddled with a vague and forgettable title but at least it sounds more lethal than the book it is based on by Sir Ranulph Fiennes, "The Feather Men". An evil cabal known as the Feather Men does not inspire too much fear. These ex-SAS (Special Air Service) members, and now business leaders, chose the name themselves to signify their light touch on situations which concern them. Shady characters are starting to ask around about an old mission in Oman involving SAS men and this falls right in the wheelhouse of issues the Feather Men are watching out for.
The Feather Men novel is allegedly based on a true story but none of the facts have ever been verified. Sir Fiennes described the book as 'factional' which does not bode well for the story's authenticity. However, the plot is intriguing, especially for a shoot 'em up first, ask questions later action fest. The background and set up are complicated enough which makes you want to follow it closely. I do not want to provide an exact plot synopsis but essentially Danny Bryce (Jason Statham) must kill some ex-SAS men to save his assassin mentor (Robert De Niro) from some Omani oil sheiks. Spike Logan (Clive Owen), also an ex-SAS man but not one of the marked men, has his sixth sense kick into overdrive and tries to save his mates from Danny's bullets as a good Feather Man would. Sir Fiennes actually claims to be one of those marked SAS men.
The script portrays Danny as an assassin who has lost his taste for killing and vows after every trigger pull that "this is my last job". He is supposedly from Australia but oddly maintains a thick and native British accent. Since every assassin must have someone to come home to, his girlfriend Anne (Yvonne Strahovski) waits impatiently for him as he disappears on his missions. Strahovski is a real life Australian and has a matching accent to prove it. She has been outstanding in the Chuck series so it is enjoyable to see her finally cross over into mainstream film.
The overall look to the Killer Elite is good however. Even though it was mainly shot in Melbourne, the skies are usually England gray and the Brecon Beacons mountain range sequence is shot well. This film is right in that middle range where I am unsure still at this point rather to recommend it or not. It is much better than the garbage in its genre such as The Expendables but fails to reach up to the higher level of Crank or The Bank Job. I suppose I marginally recommend the Killer Elite for its absorbing plot and intricate assassination sequences, but be warned, this film is not anything more than average.

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Wonderstruck by Brian Selznick /Book Review

Brian Selznick (Author, Illustrator)
Hardcover: 608 pages
Publisher: Scholastic Press (September 13, 2011)
Language: English
ISBN-10: 0545027896
ISBN-13: 978-0545027892

Editorial Reviews
In a return to the eye-popping style of his Caldecott-award winner,The Invention of Hugo Cabret, Brian Selznick’s latest masterpiece, Wonderstruck, is a vision of imagination and storytelling . In the first of two alternating stories, Ben is struck deaf moments after discovering a clue to his father’s identity, but undaunted, he follows the clue’s trail to the American Museum of Natural History, in New York City. Flash to Rose’s story, told simultaneously through pictures, who has also followed the trail of a loved one to the museum--only 50 years before Ben. Selnick’s beautifully detailed illustrations draw the reader inside the museum’s myriad curiosities and wonders, following Ben and Rose in their search for connection. Ultimately, their lives collide in a surprising and inspired twist that is breathtaking and life-affirming.  -  AMAZON REVIEW
READER'S REVIEW
Masterpiece struck me as wonderful
By  E. Fridlund 
Wonderstruck builds on the masterful artistic talents of Brian Selznick. He weaves together two stories in a way that the reader is part of the weave. Be it the story in words or the story in the old-style cinematic illustrations, the book is a masterpiece. The angst, sadness, sense of being alone and yearning is prevalent. The young characters find paths towards solving the mysteries that so encompass their lives at each of their own times.
This is a must read book. It is quite different from other literature books. After reading Hugo Cabret to my class of 4th graders in a high-poverty school, I introduced them to how such incredible literature opens the doors to historical perspectives, peoples, and events that many don't know about. We dug into the Internet for Georges Milies' movies and other silent films. Wonderstruck is inspiring the same, but just slightly differently. The students are looking for these connections, looking for evidence of historical connections, and are loving the fervor in which learning is taking place.
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29 Sept 2011

Moneyball (2011)/Movie Review

Genres: Biography | Drama | Sport
Taglines: What are you really worth?

The story of Oakland A's general manager Billy Beane's successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.

Directed by Bennett Miller       
Writing credits  :  Steven Zaillian, Aaron Sorkin, Stan Chervin & Michael Lewis (book "Moneyball: The Art of Winning an Unfair Game")
Original Music by Mychael Danna       
Cinematography by Wally Pfister       
Film Editing by Christopher Tellefsen       
Casting by Francine Maisler       
Production Design by Jess Gonchor  

Cast : Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt, Stephen BishopBrent Jennings, Ken Medlock, Tammy Blanchard, Jack McGee, Vyto Ruginis, Nick Searcy     Glenn Morshower, Casey Bond, Nick Porrazzo    

Storyline : Oakland A's GM Billy Beane is handicapped with the lowest salary constraint in baseball. If he ever wants to win the World Series, Billy must find a competitive advantage. Billy is about to turn baseball on its ear when he uses statistical data to analyze and place value on the players he picks for the team.

Box Office Budget: $47,000,000 (estimated)
Sound Mix: Dolby Digital  | DTS (as Datasat Digital Sound) | SDDS
Production Companies
Film Rites, Michael De Luca Productions, Scott Rudin Productions & Specialty Films (II)
Filming Locations: California State University Long Beach - 1250 N. Bellflower Boulevard, Long Beach, California, USA

Review
 by Robin Dhanju (Canada)
First and foremost, I want everyone to know that I love baseball and I do understand the intricacies associated with thePanasonic to unveil new helper robots game, and the fact that the A's were competing with a payroll of 1/3rd of the Yankees is very significant. However, the story line is extremely slow, and boring.

I came into this movie totally hyped up and excited about a baseball movie after way too long of a wait. I went to a matinée with only about 20 other people there to watch the movie on opening day (I know it was early but 20 is very low). Most of them seemed like avid fans as well, judging by their giggles at some of the jokes (very few) in the movie. The first thirty minutes were O.K., as it was meant to build the story line and introduce the characters. That was understandable, what was not, was the fact that the story didn't capture my attention any more throughout the the next one hour or so. I believe that the movie touched upon three players, mostly the first basemen and their transition to becoming an Athletic. I also felt that the movie focused way to much on Brad Pitt and Billy Beane, and I understand that he is the GM that revolutionized the game, but the character development really didn't reach a climax. Billy Beane had the same attitude towards baseball, and his life in general, as he did in the start. And the two hours that it took to get to that point really didn't accomplish much. The climax of the movie was VERY rushed, it was condensed into 15 minutes that really didn't have me very interested, rather had me thinking to myself "what the hell just happened".
Overall, the movie was a total let down, and even Brad Pitt's and Jonah Hill's presence isn't enough to keep baseball fans (let alone casual viewers) interested.
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26 Sept 2011

I Don't Know How She Does It/Movie Review

Release Date: 16 September 2011 (USA) Runtime:  USA:95 min
Sound Mix:  Dolby Digital | DTS (Datasat Digital) | SDDS  Genre: Comedy

A comedy centered on the life of Kate Reddy, a finance executive who is the breadwinner for her husband and two kids.

Directed by Douglas McGrath
Writing credits : Aline Brosh McKenna &  Allison Pearson
Original Music by Aaron Zigman
Cinematography by Stuart Dryburgh
Film Editing by Kevin Tent & Camilla Toniolo

Cast
Sarah Jessica Parker, Christina Hendricks Pierce Brosnan, Greg Kinnear, Kelsey Grammer, Seth Meyers,
Olivia Munn, Jane Curtin, Mark Blum, Busy Philipps, Sarah Shahi,Jessica Szohr, Emma Rayne Lyle ,
Julius Goldberg

Production Companies : Weinstein Company, The
Filming Locations:  New York City, New York, USA
 
Review
Worst Movie ever
Author: ann amith from United States
Let me start by saying I LOVE SJP in SATC. She has flopped in most of her major motion pictures, but this is by far, one of the worst movies I have ever seen in my life. Thank goodness my friend had free passes for us, because I can not imagine wasting any amount of money on this garbage. The plot, acting, and entire movie was horrible. It was honestly painful to sit through and I would not recommend this movie to anyone. I love watching movies, and I have seen some bad ones in my time, but this one honestly takes the cake! I do not understand why she continues to be casted in anything because she should have ended her career on a high note with SATC because I don't think she will ever redeem herself as a quality actress.


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What It Is Like to Go to War by Karl Marlantes/Book Review

Karl Marlantes (Author)
Hardcover: 272 pages
Publisher: Atlantic Monthly Press; 1 edition (August 30, 2011)
Language: English
ISBN-10: 0802119921
ISBN-13: 978-0802119926
Genre :  History ,  Biographies & Memoirs

“Wrenchingly honest. . . Digging as deeply into his own life as he does into the larger sociological and moral issues, Marlantes presents a riveting, powerfully written account of how, after being taught to kill, he learned to deal with the aftermath.”—Publishers Weekly

Praises
“Karl Marlantes has written a staggeringly beautiful book on combat—what it feels like, what the consequences are and above all, what society must do to understand it. In my eyes he has become the preeminent literary voice on war of our generation. He is a natural storyteller and a deeply profound thinker who not only illuminates war for civilians, but also offers a kind of spiritual guidance to veterans themselves. As this generation of warriors comes home, they will be enormously helped by what Marlantes has written—I’m sure he will literally save lives.”—Sebastian Junger

“To say that this book is brilliant is an understatement—Marlantes is the absolute master of taking the psyche of the combat veteran and translating it into words that the civilian or non-veteran can understand. I have read many, many books on war and this is the first time that I've ever read exactly what the combat veteran thinks and feels—nothing I have ever read before has hit home in my heart like this book.”—Gunnery Sergeant Terence D’Alesandro, 3rd Battalion, 5th Marines, U.S. Marine Corps

“What It Is Like to Go to War can be read as both a letter to young warriors and as a catalyzing call for change. But this is not a book about politics; it is about humanity. Using his own experiences to provide context, Marlantes advances, with startling openness, a revolutionary strategy to preserve the humanity of those who fight for our nation and to honor the humanity of those they kill.”—Rebecca Joines Schinsky, Shelf Awareness

“What It Is Like to Go to War is a courageous, noble and intelligent grapple with myth, history, and spirituality that beautifully elevates the cultural conversation on the role of the military in today’s world. It is an emotional, honest, and affecting primer for all Americans on war and the national psyche, and we ignore this book at our own peril.”—Ed Conklin, Chaucer’s Books, Santa Barbara

Review
Into the mind of a warrior
By  James Korsmo  (Moorhead, MN USA)

In this reflective memoir, Karl Marlantes, writer of the widely acclaimed Vietnam War book Matterhorn: A Novel of the Vietnam War, takes a probing look at his own experiences of going to war, and of coming home again. Because it is more of a series of reflections than a continuous narrative, I will review it in kind, with some impressions and appreciations. First, Marlantes' book is honest, sometimes brutally so. And I think this is one of the keys that makes it work. The reader gets the distinct impression that he has carefully worked and reworked his memories until they come out as honestly and completely as possible. Even though at times this means recounting memories of his own brutalities in war. But along with these sometimes tortured memories come candid memories of his own emotions, impressions, and motivations that help bring the experience of war to life. They also guarantee that war isn't glorified, and neither is the warrior. Instead, we meet the brutality along with the valor.

A second impression one gets is that these are carefully analyzed reflections. He has quite obviously held his own experiences, indeed his own person, under the light of careful scrutiny. This means the narratives and accounts he relates are thick descriptions of events, filled out with his own psychological analysis about not only what he and those around him experienced but why. And this also means he often extends his reflections beyond his own experiences, through an analysis of why, to a discussion of what we might constructively draw from them. One key example that comes up repeatedly in the book is the experience of coming home. He recounts many of the difficulties of going from a life-or-death struggle in the jungles of Vietnam, where you are dealing death in a god-like fashion, to being rapidly transported via helicopter and airplane, back to your family and friends in everyday society in a matter of hours. And that jarring transition is made without reflection, significant preparation, or guidance. He recommends greatly increasing the debriefing and processing time for returning veterans, both before and after they come home. At one point he recommends returning to the WWII practice of returning home by ship: "We should have had time to talk with our buddies about what we had all shared" (150). And he says so much more about this key issue of reintegration and the need for acceptance, especially dealing with the challenges of returning from Vietnam to a country that didn't appreciate his service or the battle he was sent to fight. This important and timely issue alone makes the book a compelling and worthwhile read, and has given me renewed respect and concern for our current crop of returning vets.
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25 Sept 2011

Straw Dogs (2011) /Movie Review

Release Date: 21 October 2011 (India) |16 September 2011 (Canada & USA)
Runtime: 110 min Genres: Thriller
Taglines: Don't let them in.
 L.A. screenwriter David Sumner relocates with his wife to her hometown in the deep South. There, while tensions build between them, a brewing conflict with locals becomes a threat to them both.

Directed by Rod Lurie
Writing credits : Rod Lurie, David Zelag Goodman, Sam Peckinpah, Gordon Williams
Original Music by Larry Groupé
Cinematography by Alik Sakharov
Film Editing by Sarah Boyd
Cast
James Marsden,  Kate Bosworth , Alexander SkarsgÃ¥rd , James Woods , Dominic Purcell , Rhys Coiro ,
Billy Lush , Laz Alonso , Willa Holland , Walton Goggins , Anson Mount , Drew Powell , Kristen Shaw ,
Megan Adelle , Randall Newsome


Budget: $12,500,000 (estimated)
Production Co: Screen Gems, Battleplan Productions
Sound Mix: SDDS  | Dolby Digital  | DTS
Filming Locations: Bossier City, Louisiana, USA

Review
Dull, unnecessary remake
 johnno-17 (Greece)

Sam Peckinpah's "Straw Dogs" remains a most disturbing, morally ambiguous confrontation between the brute code of uneducated farmboys with the complex attempts at rationalization by a sophisticated, neurotic, hyper-educated urban college professor attempting to escape the responsibilities of living in an increasingly complex world. It is also a magnificently constructed motion picture, elegantly photographed, brilliantly edited, hauntingly scored, with powerhouse performances from every actor.

This wholly unnecessary remake on the other hand is amateurish swill - banal photography, drama-class acting (and why not? all the characters have been reduced to caricature), and soap-opera rewriting. It's basically a television movie with some sex and violence thrown in for the fan-boy crowd. It's even got the requisite car-chases, and supposedly pointed dialog about adultery and motivations, blah blah blah.

Graceless, visually dull, with no sympathetic characters, but a lotta boom! crash! foe those who think loud noises and pyrotechnics make up for lack of intelligence and imagination.
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Garden of Secrets (Angel's Bay Novel)/Book Review

Barbara Freethy
Mass Market Paperback: 384 pages
Publisher: Pocket Star (September 20, 2011)
Language: English
ISBN-10: 1451636512
ISBN-13: 978-1451636512
Genre: Romance

Description
Dr. Charlotte Adams is torn between two men.  Rev. Andrew Schilling is her past, a high-school romance that went drastically wrong.  But he's back in town now and part of her present -- along with newly-divorced Police Chief Joe Silviera, whom she's been powerfully attracted to for months.  The question is, which man is her future -- and Charlotte has to face and accept her past before she can build a life with Joe.
About the Author
A native California, Barbara has lived at both ends of the state. While she misses the hot summer nights of Southern California, she enjoys the beautiful bays and hillsides of Northern California, as well as the exciting and intriguing city of San Francisco.
REVIEW
Five times a charm for Barbara Freethy in Angel Bay
By Kim Adams (Honolulu, Hawaii)
GARDEN of SECRETS is the fifth book in the Angel's Bay series. Yet it can be read as a standalone story. I was intrigued by the characters that Freethy offered in this "small town" romance - Charlotte is a minister's daughter who became an OB/GYN doctor. She returns home after her father's death. Andrew is her high school boyfriend with whom she had a painful breakup. He is now the minister at her father's church. Joe is the recently divorced Police Chief. As Charlotte considers her attraction to both, she finds she has competition from her high school nemesis, Pamela. Then Charlotte accidently becomes the leading suspect in the attack on Pamela's sister and the mayor's wife. Looking at what I just wrote, it seems to lean toward soap operadom. Yet Freethy delivers a charming story with the independent heroine's yearning for love, flawed heroes seeking to fulfill that role, and some community angst to stir things up in Angel's Bay.
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24 Sept 2011

Drive (2011) /Movie Review

Release Date: 16 September 2011 (USA)  Runtime: 100 min
Genres: Action | Crime | Drama | Thriller
Official Sites: http://www.drive-movie.com
Taglines: Get in. Get out. Get away.
A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.
Director:  Nicolas Winding Refn
Writers:  Hossein Maine (screenplay), James Sallis (book)
Original Music by Cliff Martinez
Cinematography by Newton Thomas Sigel
Film Editing by Matthew Newman

Cast
Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks, Oscar Isaac, Christina Hendricks,
Ron Perlman, Kaden Leos, Jeff Wolfe, James Biberi, Russ Tamblyn, Joe Bucaro III, Tiara Parker

Budget:  $13,000,000 (estimated)
Production Co: Bold Films, Odd Lot Entertainment, Marc Platt Productions
Sound Mix: DTS  | Dolby Digital  | SDDS
Filming Locations: Los Angeles, California, USA

Review 
A Tense and Often Beautiful Masterpiece.
by evansweet1214 (United States)

You might hear one comparing this to a Tarantino film, but leave all worries at the door, this is an absorbing and tremendously unique piece of cinema from Danish director Nicolas Winding Refn. The reason it works so exquisitely well is because the film grabs hold of you and takes you inside this often dark and dream-like LA setting. So, when the end of the film hits, you feel apart of this film, and it's there to stay.

This film also offers a Ryan Gosling like you've never seen him, speaking only when necessary, with tension and fury in his eyes. He's silent, caring, and ridiculously tough. Every line is delivered perfectly and every gesture is natural.  The music only makes this film more unique. It is catchy and synchronized perfectly with the TRULY beautiful cinematography.

This film is the BEST of its genre. I honestly cannot compare it to any other film, for it is truly that different. "Drive" is already the best of the year, because I'm POSITIVE no other film will haunt and invade me quite like this film has. This is not just a classic for its genre, but a beautiful and bold classic in general.
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Take No Farewell by Robert Goddard /Book Review

Robert Goddard (Author)
Paperback: 576 pages
Publisher: Corgi (September 5, 2011)
Language: English
ISBN-10: 0552164526
ISBN-13: 978-0552164528

"Don't, I implore you, read the last pages first, for you'll spoil the book's best surprise if you do."
—Sunday Press, Dublin

"His narrative power, strength of characterisation and superb plots, plus the ability to convey the atmosphere of the period quite brilliantly, make him compelling reading."
—Books

Library Journal Review
These productions of Goddard's suspense-filled novels are equally well read by Paul Shelley (Take No Farewell) and Michael Kitchen (Painting the Darkness). Both readers skillfully portray ordinary middle-class British professional men who are caught in circumstances beyond their abilities to cope. Driven to take any risk to save their loved ones, they act out of impulse, not intelligence, often with unfortunate results. Take No Farewell centers around a cad, Geoffrey Staddon, who left Consuela, the love of his life, in an abusive marriage so that he could shine as an architect in proper Edwardian England. Years later when Consuela is charged with murder and her daughter appeals to him for help, he realizes that he can redeem himself at least in his own eyes and, in an unexpected twist, even in Consuela's. William Trenchard of Painting the Darkness is threatened when his wife's first love, believed dead, reappears to claim his inheritance and Mrs. Trenchard. Trenchard fights with all his heart, but, unfortunately, his skills are not equal to those of his enemy's. Goddard is known for his intricate plot twists and ability to keep the listener intensely involved to the last sentence. Shelley and Kitchen are fine readers, modulating their voices and accents to differentiate characters and adapting their pacing to reflect the mood of the scene. Both recordings are recommended for popular collections.

Review
Another Great One from Goddard
By  Mary Ingram (Asheville, NC)
First , please be aware that this b ook has also been published under the title, "Debt and Dishonour". I bought both books not bothering to read the description under both before purchase so now I have two of t he same book. Geoffrey Staddon, prominent architect has been commissioned to build an estate for Victor Caswell and his beautiful Brazilian bride, Consuelo. The estate is called, Clouds Fromme and seemingly was absolutely breathtaking in its beauty but dark clouds form to take away what was to be
much happiness for Victor and Consuelo. Geoffrey fell in love with Consuelo. Some years later Geoffrey was married to another and read in the newspaper where Consuelo had been charged with the murder of her husband's neice and attempted murder of her husband. You can imagine; Geoffrey has to get involved and help Consuelo as he doesnt believe she is guilty. Goddard is probably the fastest plot changer on earth. He literally keeps you guessing until the last page. Most of his books you might as well not plan on doing anything important as it will be awfully hard to put this book down.
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